Concept design · Streams · Commentary · Prints

Welcome to the Nexus of Creativity & Commentary

You are in the right place. Twenty years of concept design, layouts and animation — streamed live most weeks, printed for your wall, and interrupted regularly by opinions about labour and policy. One door, four worlds behind it.

Feedback & reviews

From studios I have drawn for, collectors who hung the prints, and the people in chat every week.

  • Layouts came back cleaner than my brief. We shipped the episode a week early because nothing needed a second pass.

    Mara Ellison

    Art Director, Halcyon Animation

  • The giclée arrived flat, signed and perfectly packed. The teals are even deeper in person than on screen.

    Devon Park

    Print collector

  • Best drawing stream I watch. You actually learn the construction instead of just admiring the finished piece.

    Sam Ortega

    Twitch regular

  • The contract essays are the clearest writing on work-for-hire language I have handed to new members.

    Priya Raman

    Union organizer

01 — Portfolio

Worlds built on paper

Conceptual design, illustration, layouts, animation and props — filterable by discipline, every piece opening full-screen with production notes.

02 — Streams

Drawing out loud, three nights a week

Layout nights, prop speedruns and a Sunday commentary desk. Watch live or dig through the archive.

Live right now

Layout Night: Two-Point Interiors

7:00 PM ET · Twitch

Thursday

Prop Design Speedrun

8:00 PM ET · Twitch

Sunday

Sunday Commentary Desk

2:00 PM ET · YouTube

03 — Politics

Then I argue about this world

Essays, video commentary and notes from the room where the budget actually gets decided.

Essay · 9 min

Who Owns the Line You Draw at Work?

Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.

Video · 14 min

The Automation Panic Is a Bargaining Problem

A breakdown of why studio-side tooling arguments keep landing at the same table, and why the fight is structural rather than technical.