Who Owns the Line You Draw at Work?
Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.
Concept design · Streams · Commentary · Prints
You are in the right place. Twenty years of concept design, layouts and animation — streamed live most weeks, printed for your wall, and interrupted regularly by opinions about labour and policy. One door, four worlds behind it.
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Union organizer
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Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.
A breakdown of why studio-side tooling arguments keep landing at the same table, and why the fight is structural rather than technical.