EssaySeptember 8, 20269 min
Who Owns the Line You Draw at Work?
Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.
LaborAnimation IndustryRead more →
Longer arguments that don't fit in a stream chat. Mostly labour, technology policy and whatever the city council is doing this month.
Work-for-hire language has quietly widened over three contract cycles. Here is what changed, clause by clause, and what an artist can still negotiate.
A breakdown of why studio-side tooling arguments keep landing at the same table, and why the fight is structural rather than technical.
Notes from four months of city council meetings and the surprisingly small number of people deciding a nine-figure line item.
The incentive to flatten yourself into a position is enormous. A working method for staying legible without going hollow.